پیوندهای مفید
اخبار و اعلانات
آمار
| تعداد نشریات | 31 |
| تعداد شماره‌ها | 334 |
| تعداد مقالات | 3,274 |
| تعداد مشاهده مقاله | 4,073,508 |
| تعداد دریافت فایل اصل مقاله | 4,879,349 |
Georgiy Daneliya’s Hopelessly Lost (1973): A Narrative of the Cold War in a Film Adaptation of Twain’s The Adventures of Huckleberry Finn | ||
| Critical Literary Studies | ||
| مقاله 7، دوره 6، شماره 2 - شماره پیاپی 12، تیر 2024، صفحه 75-93 اصل مقاله (1.23 M) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.22034/cls.2024.63090 | ||
| نویسندگان | ||
| Asghar Moulavinafchi1؛ Alireza Anushirvani2؛ Laleh Atashi* 3 | ||
| 1PhD Candidate of English Literature, Department of Foreign Languages and Linguistics, College of Literature and Humanities, International Campus of Shiraz University, Shiraz, Iran. | ||
| 2Professor of English Literature, Department of Foreign Languages and Linguistics, College of Literature and Humanities, Shiraz University, Shiraz, Iran. | ||
| 3Assistant Professor of English Literature, Department of Foreign Languages and Linguistics, College of Literature and Humanities, Shiraz University, Shiraz, Iran. | ||
| چکیده | ||
| In the twenty-first century, film adaptation studies shifted to the reworking of the literary text within the new sociopolitical situation of the time. Such literary theories as cultural materialism can explicate the film adaptation. Here, Daneliya’s Hopelessly Lost (1973) is investigated focusing on the political orientations of the Soviet-American Cold War. Hence, through cultural materialism a window is opened unto the past literary text of Twain’s The Adventures of Huckleberry Finn to be read within the political presence of the Cold War. Per se, Sinfield’s practice of reading known as a ‘theater of war’ is applied to show the cracks and the faultlines that the director has used to depict his narrative of the Cold War. Therefore, it is demonstrated that Hopelessly Lost (1973) is a film adaptation that has focused on those parts of the novel that contain the dark images of the United States and attempts to develop the types of mutations that are in line with this orientation. Altogether the narrative of the film adaptation promulgates a grim reality that implicates the inevitable downfall of the United States amidst the political alignment of the Cold War through the character of Uncle Sam. | ||
| کلیدواژه‌ها | ||
| Adaptation Studies؛ The Adventures of Huckleberry Finn؛ Cold War؛ Cultural Materialism؛ Hopelessly Lost؛ Theatre of war | ||
| مراجع | ||
|
Adventures of Huckleberry Finn. Writ. Guy Gallo. Dir. Peter H. Hunt. Perf. Patrick Day, Samm-Art Williams. Great Amwell Company (for PBS American Playhouse Series), 1985. DVD.
Arac, Jonathan. Huckleberry Finn as Idol and Target: The Functions of Criticism in Our Time. Madison: University of Wisconsin Press, 1997. Print. Belsey, Catherine. The Subject of Tragedy. Methuen, 1985. Bloom, Harold. Bloom’s Guide to Mark Twain’s The Adventures of Huckleberry Finn, Chelsea House Publishers, 2005. Boyle, Peter G. “The Cold War Revisited.” Journal of Contemporary History, vol. 35, no. 3, 2000, pp. 479–489., https://doi.org/10.1177/002200940003500309. Brannigan, John. New Historicism and Cultural Materialism. St. Martin's Press, 1998. Budd, Louis J. “Mark Twain Sounds off on the Fourth of July”, American Literary Realism, Vol. 34, No. 3 (Spring, 2002), pp. 265-280 (16 pages). Champion, Laurie. “Critical Views on Adaptations of Huckleberry Finn.” The Critical Response to Mark Twain’s Huckleberry Finn. Ed. Laurie Champion. NY: Greenwood P, 1991. 238-244. Dollimore, Jonathan, and Alan Sinfield. Political Shakespeare: New Essays in Cultural Materialism. Manchester University, 1992. Dollimore, Jonathan. “Shakespeare, Cultural Materialism, Feminism and Marxist Humanism.” New Literary History, vol. 21, no. 3, 1990, p. 471., https://doi.org/10.2307/469122. Frank, Perry. “Adventures of Huckleberry Finn on Film.” Huck Finn among the Critics: A Centennial Selection. Ed. M. Thomas Inge. Frederick, MD: U Publications of America, 1985. 293-313. Foerstel, Herbert N. Banned in the U.S.A.: A Reference Guide to Book Censorship in Schools and Public Libraries. Westport, Conn.: Greenwood Press, 2002. Print. Göçmen G., and Özlem Özmen Akdoğan. “Nostalgic (Re)Visions of Englishness in Merchant Ivory’s Adaptation of Kazuo Ishiguro’s The Remains of the Day.” Journal of Language, Literature and Culture, 68:1, 2021, pp. 49-63., doi: 10.1080/20512856.2021.1907016 Grossman, Julie. “What Adaptations and Adaptation Studies Tell Us (and Sometimes Don't Tell Us) about Politics, Culture, and Social Change.” Adaptation, vol. 14, no. 2, 2020, pp. 274–288., https://doi.org/10.1093/adaptation/apaa019. Hadfield, Andrew. “Shakespeare and republicanism: history and cultural materialism.” Textual Practice, 17:3, 2003, pp. 461-483., doi: 10.1080/0950236032000140087 Haupt, Clyde V. Huckleberry Finn on Film. Jefferson, NC: McFarland, 1994. Hazan, Baruch A. Soviet Impregnational Propaganda. Ardis, 1982. Hopelessly Lost. Georgiy Daneliya, Mosfilm, 1974, DVD. Hutcheon, Linda. A Theory of Adaptation. Routledge, 2006. McFarlane, Brian. Novel to Film: An Introduction to the Theory of Adaptation. Clarendon Press, 2004. Messent, Peter B., and Louis J. Budd. A Companion to Mark Twain. Wiley Blackwell, 2015. Milner, Andrew. Cultural Materialism. Melbourne University Press, 1993. Parvini, Neema. Shakespeare and Contemporary Theory: New Historicism and Cultural Materialism. Bloomsbury Publishing, 2015. Rasmussen, R. Kent. "MGM's Huckleberry Finn Musical That Never Reached the Screen, Part 1." Mark Twain Journal, vol. 57, no. 1, spring 2019, pp. 25+. Gale Academic OneFile, link.gale.com/apps/doc/A590952632/AONE?u=anon~aceee346&sid=bookmark-AONE&xid=4f8ff812. Accessed 13 Nov. 2022. Robertson, R. T. “Uncle Sam — Image and Reality.” Peabody Journal of Education, vol. 40, no. 3, 1962, pp. 157–166., https://doi.org/10.1080/01619566209537108. Rouse, M. “'My Country Has (Never) Suffered Defeat': Adapting Defoe's Robinson Crusoe for Postwar European Television.” Adaptation, vol. 5, no. 2, 2011, pp. 185–202., https://doi.org/10.1093/adaptation/apr020. Rushing, Janice Hocker, and Thomas S. Frentz. “The Rhetoric of ‘Rocky’: A Social Value Model of Criticism.” Western Journal of Speech Communication, vol. 42, no. 2, 1978, pp. 63–72., https://doi.org/10.1080/10570317809373925. Shaw, Tony. “The Politics of Cold War Culture.” Journal of Cold War Studies, vol. 3, no. 3, 2001, pp. 59–76., https://doi.org/10.1162/152039701750419510. Sinfield, Alan. Faultlines: Cultural Materialism and the Politics of Dissident Reading. University of California Press, 1992. Stam, Robert. World Literature, Transnational Cinema, and Global Media: towards a Transartistic Commons. Routledge, 2019. Stam, Robert. “Beyond Fidelity: The Dialogics of Adaptation,” in James Naremore, ed. Film Adaptation 2000. Stoneley, Peter. Mark Twain and the Feminine Aesthetic. Cambridge University Press, 2008. Twain, Mark. Adventures of Huckleberry Finn: The Only Authoritative Text Based on the Complete, Original Manuscript. Ed. Victor Fischer et al. Berkeley, CA: University of California Press, 2010. Print. Tompkins, Jane P. Sensational Designs: The Cultural Work of American Fiction: 1790-1860. Oxford University Press, 2013. Trilling, Lionel. The Liberal Imagination: Essays on Literature and Society. Anchor Books Ed. Garden City, N.Y.: Doubleday, 1953. Print. Wade, Leslie A. "Sam Shepard and the American Sunset: Enchantment of the Mythic West." A Companion to Twentieth-Century American Drama, 2007, pp. 285–300., doi:10.1002/9780470996805. ch18. Wilson, Scott. “Revisiting Keywords of Cultural Materialism.” European Journal of English Studies, 6:3, 2002, pp. 307-325., doi: 10.1076/ejes.6.3.307.14833 | ||
|
آمار تعداد مشاهده مقاله: 350 تعداد دریافت فایل اصل مقاله: 173 |
||