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Exploring Imaginative Realm: Doris Lessing's Sci-Fi Narratives and Text-World Techniques in the Memoir of a Survivor and Briefing for a Descent into Hell | ||
| پژوهش‌های زبان‌شناسی: نظریه و کاربرد | ||
| مقاله 2، دوره 3، شماره 3 - شماره پیاپی 7، آذر 1403، صفحه 1-15 اصل مقاله (377.16 K) | ||
| نوع مقاله: مقاله پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22034/jls.2024.141059.1097 | ||
| نویسندگان | ||
| Bahar Bahmani Komasi1؛ Morteza Lak* 2؛ Farid Parvaneh3 | ||
| 1Ph.D. Student, Department of English, Science and Research Branch, Islamic Azad University, Tehran, Iran | ||
| 2Assistant Professor, Department of English, Science and Research Branch, Islamic Azad University, Tehran, Iran | ||
| 3Assistant Professor, Department of English Language, Faculty of Humanities, Qom Branch, Islamic Azad University, Qom, Iran | ||
| چکیده | ||
| This study investigates Doris Lessing's narrative techniques for depicting fictional realms in her science fiction stories. Focusing on two pivotal works, The Memoirs of a Survivor and Briefing for a Descent into Hell, we examine how Lessing employs World-Building Elements and Function-Advancing Propositions, as defined by Gavin's Text-World Theory, to represent imaginary text-worlds and develop the discourse in her science fiction stories. Our analysis reveals Lessing's adept use of supernatural world-building elements, such as one-eyed giants, giant fishes, and armies of angels, to establish the backdrop of her narratives. Additionally, she utilizes unreal, transtemporal, and extraterrestrial actions—such as passing through walls and temporal excursions—to propel the narrative and enrich its discourse. The temporal and spatial elements remain ambiguous and unknown, with narrative progression primarily occurring through mental and relational processes. This study helps to understand and identify Lessing's narrative techniques in her science fiction stories, offering a unique perspective on examining her works. | ||
| کلیدواژه‌ها | ||
| نظریه جهان متن؛ عناصر جهان ساز؛ گزاره های نقشی پیش‌برنده؛ عناصر فراطبیعی؛ داستان علمی تخیلی | ||
| مراجع | ||
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References Arntsen, A. C. (2008). Turning her life into fiction: Autobiography, narration perspective, and memory in Doris Lessing’s “The Memoirs of a Survivor” [Doctoral dissertation, University of Tromsø]. Clare, M. (1984). Doris Lessing and women’s appropriation of science fiction. University of Birmingham. Czarnecka, M. (2016). Doris Lessing’s narrative techniques as a means of artistic creation of the world of conflict and reconciliation in The Memoirs of a Survivor. Polish Journal of English Studies, 2(1), 39-55. Fishburn, K. (1985). The unexpected universe of Doris Lessing: A study in narrative technique. Greenwood Press. ISBN 13: 9780313234248. Fishburn, K. (1988). Doris Lessing’s Briefing for a descent into hell: Science fiction or psycho-drama. Science Fiction Studies, 15(1), 48-60. Fishburn, K. (1988). Worlds within worlds: Doris Lessing as meta-fictions and meta-physician. Studies in the Novel, 20(2), 186-205. Gavins, J., & Ernestine, L. (2016). World building: Discourse in the mind. Bloomsbury Publishing. Gavins, J. (2007). An introduction: Text World Theory. Edinburgh University Press. Greene, G. (1994). The poetics of change. University of Michigan Press. Hite, M. (1989). The other side of the story: Structures and strategies of contemporary feminist narrative. Cornell University Press. Krasniqi, Sh. (2013). Identity and narrative in Doris Lessing’s and J. M. Coetzee’s life writings [Doctoral dissertation, Tromsø University]. Lessing, D. (2012). Briefing for a Descent into Hell. HarperCollins Publishers. Lessing, D. (1995). The Memoirs of a Survivor. HarperCollins Publishers. Schlueter, P. (Ed.). (1974). A small personal voice: Essays, reviews, interviews. Alfred A. Knopf Press. Sprague, C. (1987). Rereading Doris Lessing: Narrative patterns of doubling and repetition. University of North Carolina Press. EBOOK ISBN: 978- 1-4696-2036-7. Uzundemir, O. (1996). Narrative techniques in Doris Lessing’s stories and sketches [Doctoral dissertation, Bilkent University]. Werth, P. (1999). Text Worlds: Represednting Conceptual Space in Discourse. Longman. | ||
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