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Revisiting the Semiotic: A Study of Jorie Graham’s Poetic Consciousness in Sea Change | ||
| Critical Literary Studies | ||
| مقاله 13، دوره 7، شماره 1 - شماره پیاپی 13، دی 2024، صفحه 183-198 اصل مقاله (977.01 K) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.22034/cls.2024.138600.1330 | ||
| نویسنده | ||
| Afsaneh Heidari* | ||
| Ph.D. Candidate of English Language and Literature, University of Kurdistan, Sanandaj, Iran. | ||
| چکیده | ||
| The present paper analyzes Jorie Graham’s “Sea Change”, the eponymous poem of her 2008 poetry collection, through Julia Kristeva’s theories on semiotic and the abject. By tracing the historical attitudes towards embodiment, this research attempts to examine Graham’s outlook towards the mind/body and by extension nature/culture dichotomies in her poetry. The previous studies on the Sea Change collection have mostly focused on Graham’s formal structures and ecological concerns; no other research has used Kristeva’s theories to examine the importance of one’s embodied experience of the world in her poetry to reveal how negative attitudes towards the body lead to a fractured existence for the human subject. Graham’s poetic language addresses the neglect to which the semiotic has been subjected, redefines the body in terms that are not abject and opens up a safe cultural space for it. Her poetry illuminates how mystification and degradation of the body have a positive correlation with oppression of the nature, as concepts belonging to similar dichotomous lines of thought, and highlights the call for a re-evaluation of the attitudes towards the human subject’s existence in the world. | ||
| کلیدواژه‌ها | ||
| Jorie Graham؛ Sea Change؛ Julia Kristeva؛ Embodiment؛ Body؛ Nature | ||
| مراجع | ||
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Agnew, P. Caleb. A Form that is Many Forms: The Stanza in Post-war Anglophone Poetry. 2019. University of Virginia, PhD dissertation.
Alghamdi, M. Maryam. ‘I think I feel my thinking-self and how it | stands’: Self and Cognitive Identity in the Poetry of Jorie Graham. 2018. Southampton University, PhD dissertation.
Beardsworth, Sara. Julia Kristeva: Psychoanalysis and Modernity. New York, State University of New York Press, 2004.
—— Sara. The Philosophy of Julia Kristeva. Illinois, Open Court, 2020.
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Cultural Theory: The Key Concepts, edited by Edgar Andrew, Peter Sedgwick, New York, Routledge, 2008
Farsi, Roghayeh. “Chaos/Complexity Theory and Postmodern Poetry: A Case Study of Jorie Graham’s ‘Fuse’.” Sage Open, Vol. 7, No. 3, 2017, pp. 1-11.
Graham, Jorie. Sea Change: Poems. New York, Collins, 2009.
Griffiths, Matthew. “Jorie Graham’s Sea Change: The Poetics of Sustainability and the Politics of What We Are Sustaining.” Literature and Sustainability: Concept, Text and Culture, edited by Adeline Johns-Putra, John Parham, and Louise Squire, London, Manchester University Press, 2017, pp. 211-227.
Grosz, Elizabeth. Volatile Bodies: Toward a Corporeal Feminism. Indiana, Indiana University Press, 1994.
Henry, Brian. “Exquisite disjunctions, Exquisite Arrangements: Jorie Graham’s ‘Strangeness of Strategy’.” Antioch Review, Vol. 56, No. 3, 1998, pp. 281-293.
Jorie Graham. “The Wasted Land.” A review of Sea Change, by James Logenbach. The New York Times, 6 April 2008.
Jorie Graham. “To Image the Future.” A review of Sea Change, by Sarah Howe, PN Review, Vol. 35, No. 3, 2009.
Jorie Graham. “Dissecting the Apocalypse.” A review of Sea Change, by Caroline Williamson, The Australian Magazine of International Poetry, 2018.
Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. Translated by Thomas Gora, Alice Jardin and Leon S. Roudiez, New York, Columbia University Press, 1980.
—— Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez, New York, Columbia University Press, 1982.
Perdigao, K. Lisa. “‘Coming Undone’: Entering Jorie Graham’s Poststructuralist Poetics.” South Atlantic Modern Language Association, Vol. 77, No. 1, 2012, pp. 34-57.
Richie, James. Third Way Poets: Navigating the Streams of Modern and Post-modern Poetic Uncertainty. Northeastern University, 2013, PhD dissertation.
Spiegelman, Willard. How Poets See the World: The Art of Description in Contemporary Poetry. New York, Oxford University Press, 2005.
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Vendler, Helen. The Ocean, the Bird and the Scholar: Essays on Poets and Poetry. London, Harvard University Press, 2015. | ||
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