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The Problematics of Identity and Language in David Hare’s Skylight and Pravda | ||
| Critical Literary Studies | ||
| مقالات آماده انتشار، پذیرفته شده، انتشار آنلاین از تاریخ 26 مرداد 1404 | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.22034/cls.2025.64025 | ||
| نویسندگان | ||
| Shabnam Mahdizadeh Khodayari* 1؛ Jalal Sokhanvar2 | ||
| 1MA Graduated, Department of English Language and Literature, and Ph.D. Candidate, Department of International Relations, Faculty of Politics, Central Tehran Branch, Islamic Azad University, Tehran, Iran | ||
| 2Department of English Language and Literature, Shahid Beheshti University, Former head of Postgraduate Studies, Islamic Azad University of Central Tehran | ||
| چکیده | ||
| This article presents new outlooks toward gender transfiguration in David Hare’s Skylight and Pravda in the light of Judith Butler’s theory of Gender Performativity. It examines whether the linguistic performance of Hare's characters is an innate feature or a hallucinatory effect of their naturalized and gendered bodies. Butler asserts that performativity is a ritualized production and a constrained reiteration of cultural intelligibility under the prohibition pressed by power regimes. Surveying Skylight and Pravda elucidates that gender identity is an imitation, which leads Hare’s characters to resignify and recontextualize the parodic gender reproductions. Moreover, the gendered subjects were subordinated to the language that interpellated them, so that each individual became a linguistically stylized occasion. Therefore, the ever-shifting identities of Hare’s characters were established by the power of the injurious language that interpellated the subjects. Springing from the discussion about gender performativity of Hare’s characters, the article concluded that identity is a phantasmatic construction, and what an individual performs is a non-intrinsic parody of the culturally constructed regulations. As a result, the culturally acquired gender is crafted based on the socially recognizable standards, which shape the directionality of the self-representation. | ||
| کلیدواژه‌ها | ||
| Gender Reality؛ Identity؛ Intelligible Gender؛ Performativity | ||
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آمار تعداد مشاهده مقاله: 47 |
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