پیوندهای مفید
اخبار و اعلانات
آمار
| تعداد نشریات | 31 |
| تعداد شماره‌ها | 382 |
| تعداد مقالات | 3,741 |
| تعداد مشاهده مقاله | 5,039,894 |
| تعداد دریافت فایل اصل مقاله | 5,389,850 |
The Problematic of Identity and Language in David Hare’s Skylight and Pravda | ||
| Critical Literary Studies | ||
| مقاله 9، دوره 8، شماره 1 - شماره پیاپی 15، دی 2025، صفحه 111-134 اصل مقاله (1.02 M) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.22034/cls.2025.64025 | ||
| نویسندگان | ||
| Shabnam Mahdizadeh Khodayari* 1؛ Jalal Sokhanvar2 | ||
| 1MA in English Language and Literature and Ph.D. Candidate, Department of International Relations, Central Tehran Branch, Islamic Azad University, Tehran, Iran. | ||
| 2Emeritus Professor of English Language and Literature, Shahid Beheshti University, Tehran, Iran | ||
| چکیده | ||
| This article presents new outlooks toward gender transfiguration in David Hare’s Skylight and Pravda in the light of Judith Butler’s theory of Gender Performativity. It examines whether the linguistic performance of Hare's characters is an innate feature or a hallucinatory effect of their naturalized and gendered bodies. Butler asserts that performativity is a ritualized production and a constrained reiteration of cultural intelligibility under the prohibition pressed by power regimes. Surveying Skylight and Pravda elucidates that gender identity is an imitation, which leads Hare’s characters to resignify and recontextualize the parodic gender reproductions. Moreover, the gendered subjects were subordinated to the language that interpellated them, so that each individual became a linguistically stylized occasion. Therefore, the ever-shifting identities of Hare’s characters were established by the power of the injurious language that interpellated the subjects. Springing from the discussion about gender performativity of Hare’s characters, the article concluded that identity is a phantasmatic construction, and what an individual performs is a non-intrinsic parody of the culturally constructed regulations. As a result, the culturally acquired gender is crafted based on the socially recognizable standards, which shape the directionality of the self-representation. | ||
| کلیدواژه‌ها | ||
| Gender Reality؛ Identity؛ Intelligible Gender؛ Performativity | ||
| مراجع | ||
|
Bowring, Michéle. Learning at the Border: Gender, Sex and Sexuality in the Hypergendered Organizations. Diss. UK: U of Leicester, 2009.
Brooks, Christina. Recitations: The Critical Foundations of Judith Butler’s Rhetoric. Thesis. Ontario: McMaster University, 2010.
Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. London: Taylor and Francis, 2001.
---. Excitable speech: A Politics of the Performative. New York: Rutledge, 1997.
---. Gender Trouble: Feminism and the Subversion of Identity. New York: Rutledge, 2006.
---. Psychic Life of Power: Theories in Subjection. California: Stanford UP, 1997.
---. The Force of Nonviolence: An Ethico-Political Bind. London. Verso, 2020.
Claeys, Sarah. How to Do Things with Butler, An Inquiry on the Origin, Citation and Application of Judith Butler’s Theory of Performativity. Diss. Belgium: Ghent University, 2006-7.
Coates, Stephen. Alien Nation: David Hare’s History Plays. Diss. New Zealand: U of Canterbury, 1989.
Fyffe, Laurie. Political Theater Post 9/11: The Age of Verbatim, of Testimony, and of Learning from Fictional Worlds. Diss. Ottawa: U of Ottawa, 2010.
Grossetti, Adam. It Made You Feel What? Using Structure to Convey Theme. Diss. Australia: U of Queensland, 2007.
Hare, David. David Hare: Plays. London: Faber and Faber, 2008.
---. The Asian plays by David Hare. London: Faber and Faber, 1986.
---. Skylight. London: Faber and Faber, 1995.
Hough, Amie M. An Exploration of Selected Concepts from Judith Butler: With Application to the Understanding of Gender Identity in Social Work Practice with Marginalized Female Adolescents. Diss. British Colombia: U of British Colombia, 2010.
Iveson, Richard. “Domestic Scenes and Species Trouble- On Judith Butler and Other Animals.” Journal for Critical Animal Studies, vol. 10, no. 4, 2012, pp. 20-40.
Jagger, Gill. Judith Butler: Sexual Politics, Social Change and the Power of the Performative. Abington: Rutledge, 2008.
Karhu, Sana. From Violence to Resistance: Judith Butler’s Critique of Norms. Diss. Finland: U of Helsinki, 2017.
Knowles, Adam D. Memories of England: British Identity and the Rhetoric of Decline in Postwar British Drama, 1956-1982. Diss. Texas: U of Texas, 2003.
Leitch, Vincent B., and William E. Cain, eds. The Norton Anthology of Theory and Criticism. New York: W.W. Norton & Company, 2001.
Loizidou, Elena. Judith Butler: Ethics, Law, Politics. London: Taylor and Francis
, 2007.
Peña Anllo, Romina. “David Hare’s Skylight: When the Political Becomes Personal.” Journal of Artistic Creation and Literary Research, vol. 2, no. 1, 2013, pp. 50-61.
Presada, Diana. David Hare: Attacking the Humanist Tradition of Social Drama. Diss. Romania: U of Ploiesti, 2013.
Repo, Jemima. “Herculine Barbin and the Omission of Biopolitics from Judith Butler’s Gender Genealogy.” Feminist Theory, vol. 15, no. 1, 2014, pp. 73-88.
Salih, Sara. Judith Butler. Abington: Rutledge, 2002. | ||
|
آمار تعداد مشاهده مقاله: 103 تعداد دریافت فایل اصل مقاله: 29 |
||