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Adaptive Creativity in Textualization of History in Edward Bond’s "Narrow Road to the Deep North" | ||
| Critical Literary Studies | ||
| مقالات آماده انتشار، پذیرفته شده، انتشار آنلاین از تاریخ 16 اسفند 1404 | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.22034/cls.2026.144019.1531 | ||
| نویسندگان | ||
| Navid Maqsoud1؛ Mahdi Javidshad* 2 | ||
| 1PhD in English Language and Literature, University of Tehran, Alborz Campus, Iran. | ||
| 2Assistant Professor of English Language and Literature, University of Guilan, Rasht, Iran. | ||
| چکیده | ||
| In Narrow Road to the Deep North, Edward Bond presents his distinctive, creative reading of the life of Basho, the seventeenth-century poet of haiku, to indicate that for him history is not a linear, coherent, and taken for granted narrative, but rather an arbitrary text that is capable of being a site of projecting one’s concerns for investigating into contemporary issues. In order to explore Bond’s distinctive approach to history, this study applies and merges two theoretical frameworks, namely theories of adaptation and new historicism, focusing on the way the playwright appropriates history to comment on the present. The main question of the study is to ask how Bond the playwright reflects and modernizes Basho’s life by taking into account the determinants of why, where and when. This study is significantly worth undertaking as it can expose the dramatic strategy that Bond applies in his historical plays including Lear, Bingo, and The Fool. Due to the playwright’s antifoundational reading of the past, it can be concluded that Bond’s adaptation of Basho’s life serves his subversive approach to the status quo.d | ||
| کلیدواژهها | ||
| Edward Bond, Adaptation؛ Appropriation؛ Historiography؛ Politicization | ||
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آمار تعداد مشاهده مقاله: 46 |
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