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Investigating Narratological view of Focalization in Amy Tan’s The Kitchen God’s Wife | ||
| Critical Literary Studies | ||
| مقاله 12، دوره 3، شماره 2 - شماره پیاپی 6، آذر 2021، صفحه 159-170 اصل مقاله (759.56 K) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.34785/J014.2021.376 | ||
| نویسندگان | ||
| Tahmineh Kord Gharachorlou1؛ Shahram Kiaei* 2 | ||
| 1Department of English, Islamic Azad University, South Tehran Branch, Tehran, Iran | ||
| 2Assistant Professor, Department of English, Islamic Azad University, Qom Branch, Qom, Iran | ||
| چکیده | ||
| Genette believes that ‘point of view’ is inadequate to expound the differences between the person who sees and the person who narrates. After years of controversy, he proposes the term ‘focalization’ to clarify this difference. Focalization focuses on the person who sees as a subjective moment of perception. Perceiving can take every character of a novel, to a higher level of subjectivity. Later, Meike Bal added new dimensions to his term. The present study, focuses on Amy Tan’s The Kitchen God’s Wife. Two main characters of the novel are focalizers inside of the story whose insights are revealed through the narrative processes of the events. The internal focalization changeably shifts from mother to daughter and vice versa. This study aims to investigate the concept of character focalizer and narrator focalizer in the light of Gerard Genette’s and Mieke Bal’s narratological theory of focalization. Further, it explores the moments of focalizations of the two characters, Winnie, the mother, and Pearl, the daughter. Focalizing the moment of understanding through the improvement of the complex story is discussed, which helps the two characters reach a higher level of subjectivity to overcome their gap. | ||
| کلیدواژه‌ها | ||
| Focalization؛ Inner Thought؛ Relationship؛ Perception | ||
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| مراجع | ||
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Bal, Meike. Narratology: Introduction to the Theory of Narrative. Toronto: University of Toronto Press, 2009.
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---. The Opposite of Fate. New York: Putnam’s Sons, 2003.
Yuan, Yuan. “The Semiotics of China Narratives in the Con/texts of Kitchen and Tan.” Bloom’s Modern Critical Views. edited by Harold Bloom. New York: Yale University, 2009, pp.141-155. | ||
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