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In-between History and Memory: Leslie Marmon Silko’s Fictional World | ||
| Critical Literary Studies | ||
| مقاله 5، دوره 4، شماره 2 - شماره پیاپی 8، مرداد 2022، صفحه 37-52 اصل مقاله (279.61 K) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.34785/J014.2022.786 | ||
| نویسندگان | ||
| Leila Babaeinia1؛ Bahman Zarrinjooee* 2؛ Zahra Bordbari3 | ||
| 1Ph.D. Candidate, Department of English Language and Literature, Central Tehran Branch, Islamic Azad University, Tehran, Iran. | ||
| 2Assistant Professor, Department of English Language and Literature, Borujerd Branch, Islamic Azad University, Borujerd, Iran. | ||
| 3Assistant Professor, Department of English Language and Literature, Roudehen Branch, Islamic Azad University, Roudehen, Iran. | ||
| چکیده | ||
| Leslie Marmon Silko, an American Indian writer, is one of the pioneers of literary renaissance in Native American literature. Her works are focused on cultural identity, the Native people’s struggle to preserve their past and culture by means of storytelling. This article focuses on Silko’s fictional world as both fiction and history. Moreover, it deals with the cultural trauma ingrained in the Indigenous people’s collective memories, which have shaped Silko’s imagined geography in her works. Regarding the theoretical axis of discussions concerning history, historiography and emplotment of history, this article uses theories of Hayden White to explore the place of historiography in narrative. Furthermore, it applies the critical arguments concerning cultural trauma proposed by Jeffrey C. Alexander. The research proves that Silko and her characters are haunted not by the desire for history, or the past itself; but rather, they are haunted by the desire for the act of historical recollection and the process of remembering and surviving. Finally, this article shows that Silko, as a historical figure with certain literary-historiographical ambitions, reconstructs her cultural heritage and cultural identity through storytelling and fictionalizes history to give voice to her silenced land, past and history, and dismantle the dominant Euro-American historiography. | ||
| کلیدواژه‌ها | ||
| Cultural Trauma؛ Emplotment؛ Historiography؛ Memory؛ Storytelling | ||
| مراجع | ||
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Alexander, Jeffrey C. “Toward a Theory of Cultural Trauma.” Cultural Trauma and Collective Identity, edited by Jeffrey C. Alexander et al, Berkeley: U of California P, 2004, pp. 1-29.
Caruth, Cathy. Trauma: Explorations in Memory. Baltimore: Johns Hopkins UP, 1995.
---. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins UP, 1996.
de Certeau, Michel. The Writing of History. New York: Columbia UP, 1988.
Doran, Robert. Introduction. Philosophy of History after Hayden White, by Doran, London: Bloomsbury Publishing, 2013, pp. 1-34.
Silko, Leslie Marmon. Almanac of the Dead. New York: Simon & Schuster, 1991.
---. Ceremony. New York: Penguin, 2006.
---. Storyteller. New York: Arcade Publishing, Inc., 2012.
---. The Turquoise Ledge. New York: Penguin, 2010.
---. Yellow Woman and a Beauty of the Spirit: Essays on Native American Life Today. New York: Simon & Schuster, 1996.
White, Hayden. The Content of the Form. Narrative Discourse and Historical Representation. Baltimore and London: John Hopkins University, 1987.
---. Metahistory: The Historical Imagination of the 19th Century Europe. Baltimore: John Hopkins UP, 2014.
---. Tropics of Discourse: Essays in Cultural Criticism. Baltimore and London: John Hopkins UP, 1978.
---. “The Value of Narrativity in the Representation of Reality.” Critical Inquiry, Vol. 7, No. 1, 1980, 5–27. | ||
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