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Emphasis Recruited: Phrases as Repeating Frequency (nN/1S) in Selected Nineteenth-century British Fictions | ||
| Critical Literary Studies | ||
| مقاله 6، دوره 5، شماره 1 - شماره پیاپی 9، فروردین 2023، صفحه 47-61 اصل مقاله (225.11 K) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.34785/J014.2023.004 | ||
| نویسندگان | ||
| Mi'ad Mahmoudizadeh1؛ Javad Yaghoobi Derabi* 2 | ||
| 1PhD Candidate, Department of English Language and Literature, South Tehran Branch, Islamic Azad University, Tehran, Iran | ||
| 2Assistant Professor, Department of English Language and Literature, Faculty of Literature and Foreign Languages, Karaj Branch, Islamic Azad University, Karaj, Iran | ||
| چکیده | ||
| Repetition in fiction is a very common device that many authors employ to bring forth motifs and themes into their works or as a means of creating emphasis. Therefore, it is quite expectable to observe many works with repeated sentences, phrases, and even words in various periods, which either are repetitions of a character’s own words or the repetitions of a character’s utterances by another character in the narrative in a small scale and the repetition of the whole work in larger scale. Through the use of Genettian repeating frequency type (nN/1S), authors are able to stress particular events, provide themes and motifs, and make use of prior narration, simultaneously. By means of scrutiny of repetitions in Mary Shelly’s Frankenstein; or, The Modern Prometheus, George Eliot’s The Mill on the Floss, and Charles Dickens’ Hard Times as three canonical works of British literature through Genettian nN/1S frequency type, this study could elaborate on the crucial emphatic role this frequency type plays in emergence of specific effects in these narratives. | ||
| کلیدواژه‌ها | ||
| Narrative؛ Repeating frequency (nN/1S)؛ Emphatic function؛ Repetition | ||
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| مراجع | ||
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