پیوندهای مفید
اخبار و اعلانات
آمار
| تعداد نشریات | 30 |
| تعداد شماره‌ها | 292 |
| تعداد مقالات | 2,860 |
| تعداد مشاهده مقاله | 3,372,277 |
| تعداد دریافت فایل اصل مقاله | 4,426,679 |
Miscibility of Narrative Heterogeneity: Ian McEwan’s Sweet Tooth as a Hybrid Postmodernist Metafiction | ||
| Critical Literary Studies | ||
| مقاله 9، دوره 5، شماره 1 - شماره پیاپی 9، فروردین 2023، صفحه 91-106 اصل مقاله (274.04 K) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.34785/J014.2023.007 | ||
| نویسندگان | ||
| Seyed-Javad Habibi* 1؛ Sara Soleimani-Karbalaei2 | ||
| 1Assistant Professor, Department of English Language and Literature, Khouzestan, ACECR, I.R.Iran | ||
| 2Assistant Professor, Department of English Language and Literature, Khouzestan, ACECR, I.R.Iran. | ||
| چکیده | ||
| Delving into the narration of Ian McEwan's Sweet Tooth (2012), this enquiry unravels the threads of conventional realistic narrative and avant-garde postmodernist one in the tapestry of the novel, arguing that through the miscibility of these two heterogeneous modes of narration McEwan constructs a narrative meta-design that innovatively adds an enigmatic dimension to the spy novel genre. In his dual narrative that depends on verisimilitude as well as self-conscious reflexivity, he once again, a decade after his Atonement (2002), demonstrates his literary taste for bridging the "past" and "present." Marinating his narrative in Cold War events, and adding a dash of what Linda Hutcheon calls "historiographic metafiction," he makes a postmodern signature dish that sustains its paradoxical hybridity: a representational self-reflexivity or an anti-representational reflexivity. Aligned with Monica Cojocaru's detection of a "metafictional twist" in the novel as a part of her comparative investigation, this study discusses that Sweet Tooth's dual narrative makes it eligible to wear the postmodern badge. | ||
| کلیدواژه‌ها | ||
| Metafiction؛ Metanarrative؛ Self-representation؛ Hybrid Postmodernism؛ Anti-representation؛ Self-conscious Narration | ||
|
سایر فایل های مرتبط با مقاله
|
||
| مراجع | ||
|
Adam, Naomi." 'Your duplicitous point of view': Delayed Revelations of Hypothetical Focalisation in Ian McEwan's Atonement and Sweet Tooth." Language and Literature, Vol.30, No.2, 2021, pp. 174-99.
Bertens, Hans. The Idea of the Postmodern: A History. London: Routledge, 1995.
Bradford, Richard. The Novel Now: Contemporary British Fiction. Malden: Blackwell Publishing, 2007.
Bran, Nicol. The Cambridge Introduction to Postmodernist Fiction. Cambridge: Cambridge University Press, 2009.
Calvino, Italo. If on a winter's night a traveller.1979. Translated by William Weaver, London: Vintage Books, 1998.
Cojocaru, Monica. "Metafictional Twist Endings in Ian McEwan’s Atonement and Sweet Tooth." East-West Cultural Passage, Vol. 15, No. 1, 2015, pp. 7–19.
Daley, David. "Sweet Tooth Will Satisfy Ian McEwan’s Craving." USA Today, 15 November 2012.
Ellam, Julie. Ian McEwan's Atonement. London: Continuum, 2009.
Guerin, Wilfred L., et al. A Handbook of Critical Approach to Literature.6th ed., Oxford: Oxford University Press, 2011.
Johnson, Samuel. The Yale Edition of the Works of Samuel Johnson. Vol. 7, edited by Arthur Sherbo, New Haven: Yale University Press, 1968.
Hassan, Ihab. The Dismemberment of Orpheus: Toward a Postmodern Literature. 2nd ed., Wisconsin: The University of Wisconsin Press, 1982.
Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge, 1988.
Lewis, Barry. "Postmodernism and Fiction." The Routledge Companion to Postmodernism. 3rd ed., edited by Stuart Sim, London: Routledge, 2011, pp. 169-193.
Magritte, Rene. "The False Mirror." The Essential Magritte. Edited by Todd Alden, New York: The Wonderland Press, 1999.
McEwan, Ian. Sweet Tooth. Toronto: Anchor Books, 2012.
Pastoor, Charles C. "Authorial Atonement in Ian McEwan’s Atonement and Sweet Tooth." Christianity & Literature, Vol. 68, No. 2, 2019, pp. 297–310.
Prendergast, Christopher. The Triangle of Representation. New York: Columbia University Press, 2000.
Rimmon-Kenan, Shlomith. Narrative Fiction: Contemporary Poetics.2nd ed., London: Routledge, 2002.
Said, Edward. The World, the Text, the Critic. Cambridge: Harvard University Press, 1983.
Scholes, Robert. Fabulation and Metafiction. 1st ed., Illinois: University of Illinois Press, 1979.
Stallybrass, Peter and Allon White. The Politics and Poetics of Transgression. New York: Cornell University Press, 1986.
Stoddard, Eve, and Grant. H. Cornwell. "Cosmopolitan or Mongrel? Créolité, Hybridity and ‘douglarization’ in Trinidad." European Journal of Cultural Studies, Vol.2, No.3, 1999, pp. 331-353.
Sukenick, Ronald. In Form: Digressions on the Act of Fiction. Illinois: Southern Illinois University Press, 1985.
Waugh, Patricia. Metafiction: The Theory and Practice of Self-conscious Fiction. London: Routledge, 1984.
Young, James. "Representation in Literature." Literature & Aesthetics, Vol. 9, No. 1, 1999, pp.127-143. | ||
|
آمار تعداد مشاهده مقاله: 366 تعداد دریافت فایل اصل مقاله: 164 |
||
