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Social and Familial “Generativity” in An Artist of the Floating World: An Eriksonian Approach | ||
| Critical Literary Studies | ||
| مقاله 11، دوره 5، شماره 1 - شماره پیاپی 9، فروردین 2023، صفحه 125-142 اصل مقاله (292.47 K) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.34785/J014.2023.008 | ||
| نویسندگان | ||
| Morteza Jafari1؛ Naser Motallebzadeh* 2؛ Naser Dashtpeyma3 | ||
| 1Department of English Language and Literature, Tabriz Branch, Islamic Azad University Tabriz, Iran | ||
| 2Assistant Professor, Department of English Language and Literature, Tabriz Branch, Islamic Azad University Tabriz, Iran | ||
| 3Assistant Professor, Department of English Language and Literature, Tabriz Branch, Islamic Azad University Tabriz, Iran. | ||
| چکیده | ||
| In An Artist of the Floating World, Kazuo Ishiguro gives an account of Masuji Ono, an ageing painter who reviews his life and profession in the post-World War II Japan. Though the novel has huge potentials for psychosocial development of characterization, few studies have paid attention to this potentiality. This study is going to investigate the characterization of the protagonist in terms of the midlife crisis with which he is involved. Considering the fact that Masuji’s review is characterized by the obsession with family and profession with an attempt to decide whether he achieved “generativity” or “stagnation,” his account can be discussed in terms of Erik Erikson’s psychosocial development. Focusing on the seventh stage of Erikson’s theory which is primarily characterized by deciding over the binary “generativity versus stagnation” and the individual’s struggle to decide on the meaning of life, the present research explores Masuji’s attempts at creating a positive image of his past and also his tendency to compensate his shortcomings in familial issues in order to finally feel “generative” in his midlife years. Ultimately, this research comes to the conclusion that Masuji is able to overcome the psychological tribulations of the stage by developing the virtue of “care.” | ||
| کلیدواژه‌ها | ||
| Ishiguro؛ Erikson؛ Midlife Crisis؛ Generativity؛ Stagnation؛ Care | ||
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| مراجع | ||
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Beedham, Matthew. The Novels of Kazuo Ishiguro. London, Palgrave Macmillan, 2009.
Carducci, Bernardo J. The Psychology of Personality: Viewpoints, Research, and Applications. Hoboken, John Wiley & Sons, 2009.
Drag, Wojciech. Revisiting Loss: Memory, Trauma and Nostalgia in the Novels of Kazuo Ishiguro. Cambridge, Cambridge Scholars Publishing, 2014.
Erikson, Erik. Childhood and Society. New York, Norton. 1950.
Hunt, Jordan. Animal Behaviour. Essex, ED-Tech Press. 2018.
Ishiguro, Kazuo. An Artist of the Floating World. London, Faber & Faber, 2009.
Rimbach, Peter K. Retirement: Life’s Mt. Everest: Man's Journey Through Psychological Hell. Bloomington, Xlibris Corporation, 2011.
Stevens, Richard. Erik H. Erikson: Explorer of Identity and the Life Cycle. London, Macmillan International Higher Education, 2008.
Tellini, Silvia. “Identity and Nation in Kazuo Ishiguro’s An Artist of the Floating World.” Transnational Literature,V. 10, No. 2, May 2018. pp. 1-10.
Walkowitz, Rebecca L. Cosmopolitan Style: Modernism Beyond the Nation. New York, Columbia University Press, 2006.
Wong, Cynthia F. Kazuo Ishiguro. Tavistock, Northcote, 2000.
Wright, Timothy. “No Homelike Place: The Lesson of History in Kazuo Ishiguro’s An Artist of the Floating World.” Contemporary Literature, Vol. 55, No. 1, 2014, pp. 58-88. | ||
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